Powered by Codex VariCam Pure contains the existing VariCam 35 camera head but with the new Codex VRAW 2.0 recorder, creating a RAW only solution in a lighter and more compact body (approximately 11-lbs.). With Codex Virtual File system, users can transcode additional file formats, including Panasonic V-RAW, Apple ProRes and Avid DNxHR.

Super 35mm native 4K sensor 

The super 35mm sensor is developed especially for the Cinematic VariCam Look. All models of Cinema VariCam series are equipped with the same sensor.

In-camera color grading

In-camera color grading function enables color decision on set with 3rd party application. Grading information such as 3D LUT files and CDL files can be recorded together with the master clip, allowing you to provide the same vision you created on set to the post-production. This process does not require an external BOX. In addition the applied CDL/LUT will be recorded in the recording media for each clip with same name as master clip. This easy to manage in the post-production.

4K master and HD graded simultaneous recording

In addition to main recorder up to 4K, you can have one more recorder up to 2K. This feature lets you record an ungraded 4K master with V-Log while simultaneously recording HD graded. The file name and time code of each file will match exactly. You can use HD graded for viewing or off-line editing immediately. Dailies that had been created after shooting can now be produced on-set and with only the camera.

Uncompressed 4K V-RAW cinema camera with Codex

Uncompressed RAW offers best possible images today and future-proofing their content. You can capture "Pure" image of VariCam Look. VariCam Pure outputs V-RAW files to Codex’s ultra-reliable Capture Drives. And that’s just the gateway to a complete dailies, review and archiving system with Codex’s Production Suite. One workflow, you won’t need anything else.